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Chapman ML7-S
EDBAG octaves : 7-string guitar in standard BEADGBE tuning
F major-dominant seventh arpeggio : General
In this BLOGoZON we take a look at the F major-dominant seventh arpeggio box shapes and join them all together to form one long EDBAG octaves chain for 7-string guitar in standard BEADGBE tuning.
The EDBAG octaves sequence is shown for F natural in the diagram that follows:-
The diagrams that follow show all of the F major-dominant seventh arpeggio notes plotted over the
7-string guitar's
fretboard in the EDBAG octaves and GuitarPro6 styles:-
NOTE :- The F major-dominant seventh is an amalgamation of the F major seventh and F dominant seventh arpeggios; GuitarPro6 diagrams of both these arpeggios follow:-
GuitarPro6 fingerboard - F major seventh arpeggio
NOTE:- The GuitarPro6 fingerboard that follows for the F dominant seventh arpeggio shows E♭'s enharmonic equivalent spelling of D♯ (the augmented sixth interval name rather than the minor seventh) used elsewhere on this page.
GuitarPro6 fingerboard - F dominant seventh arpeggio
As always a more long term solution to fretboard navigation is to see scales as INTERVAL shapes rather than note names - as these are universal to all scales, arpeggios and chords rather than specific to one particular root note - with this in mind the intervals for the F major-dominant seventh arpeggio are detailed below in the EDBAG octaves manner:-
The tables and tabbed panels below detail all five box shapes for the F major-dominant seventh arpeggio in the EDBAG octaves style.
EDBAG octaves : 7-string guitar in standard BEADGBE tuning
F major-dominant seventh arpeggio : Box shape pdf files
EDBAG octaves : 7-string guitar in standard BEADGBE tuning
F major-dominant seventh arpeggio : YouTube box shapes
- 6E4E1
- 7D4D2
- 7B5B2
- 5A3
- 6G3G1
- 6E4E1 at 12
EDBAG octaves : 7-string guitar in standard BEADGBE tuning
F major-dominant seventh arpeggio : Box shapes & TAB
- 6E4E1
- 7D4D2
- 7B5B2
- 5A3
- 6G3G1
- 6E4E1 at 12
Once the individual box shapes have been assimilated all five shapes should be linked together and played in one continuous exercise (with the first shape - 6E4E1 - being repeated at the 12th fret). The video shown to the right demonstrates the EDBAG octaves chain-linked sequence for the F major-dominant seventh arpeggio box shapes. |
The complete TAB for the previous exercise follows:-
The box shapes for the previous exercise follow:-
EDBAG octaves : 7-string guitar in standard BEADGBE tuning
F major-dominant seventh arpeggio : All fretboard box shapes
Psycho logic....Zon Brookes |